part IThis post is the second part of my review on British photographer Cecil Beaton's diaries from the 40's. (The third one will be the last).
Even though I chose only extracts in which the author writes about fashion related people, it doesn't mean the book is about fashion, because it is not quite exactly.
The book is a wonderful window on Western culture and history during the 40's, and because many of those people were artists, therefore some of those people were fashion related.
I've had problems finding images for the post, what really surprised me, as I thought being key in our current fashion culture would help them to have a place in google images or the like, but it seems it didn't.
I hope this little review brings them back to memory, i think they really deserve it.
[please note that the images have been taken from internet and had nothing to do with the book. I just wanted to support the text with pictures that recreate the story]
* Cecil on Madame Dilés, manager of Paris Vogue studio at the time and before the II World War:
" [...] Then a great contrast: to the Vogue studio for my first shot at Paris fashion photographs for many years. Here again was Madame Dilés to give one a hug of welcome. Madame Dilés, a small birdlike woman with raven's-wing hair and huge thrush's eyes, has managed the Paris Vogue studio and its often difficult "star" photographers through untold phases of fashion. When I first came to Paris on assignments for the magazine I was unable to understand the language and proved inadequate in dealing with both technicians and my illustrious sitters.
But Madame Dirés at once became my friend, and no matter how difficult an editor might be to please she always had an encouraging word. As the years progressed, and my knowledge of French improved and my style of photography became ever more elaborate, Madame Dilé's task increased in difficulties. Yet at a moment's notice, and on a last-minute whim of mine, she would produce fishnets, statues, waxwork figures, cemetery wreaths, and any imaginable assortment of objects as part of my neo-romantic or surrealistic compositions. She did not quail at the thought of going out at midnight to bring back to the studio and old seller of violets from the Madeleine or lobster in pots from the market. Nothing ever surprised or daunted her."Cecil Beaton: Memoirs of the 40's. page 27
* Cecil on Gertrude Stein and Alice Toklas and their friendship with a "simple young man named Pierre Balmain"
" During the years of cold and shortages, Gertrude and Alice became friends with a neighbor at Aix, a simple young man named Pierre Balmain, who had a taste for antiques and a natural bent for designing women's clothes. In fact he made with his own hands heavy tweeds and warm garments for Gertrude and Alice to wear during the hard winters.
Now he has opened a shop in Paris. At his first showing to the press Gertrude and Alice arrived with their huge dog, Basket. Gertrude in a tweed skirt, an old cinnamon-colored sack, and Panama hat, looked like Corot's self-portrait.Alice, in a long Chinese garment of bright colors with a funny flowered toque, had overtones of the "Widow Twankey", a comic transvestite from the vaudeville stage. Gertrude, seeing the world of fashion assembled, whispered: "Little do they know that we are the only people here dressed by Balmain, and it's just as well for him that they don't!" "
Cecil Beaton: Memoirs of the 40's. page 37














































