Friday, November 23, 2007

Hookers On Film

10 magazine always surprises me with funny and very thoughtful articles.

In their issue #24 journalist Tony Marcus (A Whore's Life, pages 66-67) questioned the way we all "picture" a hooker, "what visually signifies a whore" in our images' code. Prostitutes are always recognizable, they dress in a very distinctive way. As Sheila Cousins (Graham Greene and Ronald Matthews) in her book "To Beg I Am Ashamed: The Autobiography of a London Prostitute" puts it, a hooker dresses the way she does because men need "their article labeled if they are to have the courage to ask its price".

Unfortunately, men are in general very predictable in their tastes so we all know what a man wants to see; legs and tits. Therefore, showing such attributes can be the perfect way to attract male attention (remember those Venetian courtesans in the XVI century?).

Fortunately, prostitutes use a wide range of attire possibilities, god bless them, as they are more free to mix stuff than anyone else. Hookers wear the most outrageous and avant garde pieces of clothing, they put together patterns, colors, shapes, fabrics and lengths in the most playful way.

As each decade brings its own fashion, that means a "street-fashion" is brought as well.
During the 50's for instance, a London prostitute would dress in a very specific way: "Their three-inch patent shoes, their shiny stockings, their ankle bracelets, their tier of fox fur round the shoulders, come close to being an uniform". (extract from "To Beg I Am Ashamed ...")

Films about or with prostitutes are plentiful.
Guy Dammann
at The Guardian wrote a post about this too saying that prostitution is an unusually prominent theme in the history of film; because the majority of films use sex to control the emotional dynamic of the action, characters for whom sex has no further mystery are accorded a kind of magical power, a position of authority from which they can reveal to the other characters truths, about themselves or the world.

Fashion-wise, it's always interesting to me to see the different ways that costume designers use to dress these characters, and yet the common codes they all share.
Some instances:



True Romance (1993).-
This is one of my favourite movies about a hooker and I still wonder why it didn't get any nomination for the wardrobe of Patricia Arquette. Best dressed hooker ever.
The blue sun glasses that she wears during the film are still in our hipster collective-memory.


<<< Whore (1991)










Irma La Douce (1963)


Vivre Sa Vie (1962)
So French and cute.


Princesses (2005)
The harsh reality


Pretty Woman (1990)
those boots....


L.A. Confidential (1997)
The high class hooker



Scarlet Street (1945)
Her plastic raincoat is unforgettable


Midnight Cowboy (1969) - Mighty Aphrodite (1995)
The NY hookers


Breakfast at Tiffany's (1961)
The most stylish and famous hooker on film, Holly Golightly.

16 comments:

Miss at la Playa said...

genial idea para un post...

para mi sin duda la mejor vestida es holly, y pretty woman pero cuando se empiez a comprar ropa buena, cuando se ve que en el fondo tenía buen gusto.

Ashe said...

This post is wonderful! I absolutely love how to compare the various (and yet wonderfully fashionable) outfits on what is such an ill-reputed profession!

Another one to list would be Veronica Franco in Dangerous Beauty (since you mentioned Venetian courtesans..)

WendyB said...

Fascinating! Have you ever read "Slammerkin"?

Anonymous said...

Fantastic idea for a post and so informative too. I especially loved True Romance, Patricia was just perfect.

Midnight Cowboy is another fave, though incredibly downbeat and depressing!

DCB.

Andrea Martínez Maugard said...

Me encantó este post, es tan inspirador en una buena manera jaja, no para que uno se convierta en prostituta sino para recopilar más y más información y ordenar otras tipologías a nuestro estilo... Fabuloso!

Bobble Bee said...

I just remember Satine (Nicole Kidman) in Moulin Rouge... another unforgettable hooker.

Wendy: no, i haven't read the book but im going to check it out.

MARIA H said...

Jean Rhys was a woman that worked as chorus girl at the beging of the XX century in London, getting later jobs as "model" in Paris. She left an extensive work as writer. In her books there is plenty about "style", money dependency from men, and destitution, and prostitution of women as a result of a patriarchal society.
The clothes seems always happier than the women...

MARIA H said...

BTW...isn't funny that the more consumerist a society is, the more women decide to deck themselves as bimbos?

In Yr Fshn said...

So interesting. Great post, Patricia.

Sonja said...

good post! I want to watch "Breakfast at Tiffany's" immediately:)

Anonymous said...

wow, i'm speechless... what a remarkable post... it's always interesting to see old films with hookers becuase you don't know the signs to look for, no clear heels in the 20's...

i recently saw the cabinet of dr. caligari, a german silent film, and it was fascinating how much it was like theatre. film has developed its own separate language and continues to evolve.

mahret said...

holly golightly a prostitute? well yes i think, it somehow wasn't that obvious to me ;-)

Bobble Bee said...

Really Mahret?? yeah, that's the whole point of the movie, that's why he wants to "save" her...
i guess in the book is much more explicit. It's funny, if you read the book things are completely different: she is blond, very "womanly", i read somewhere that Capote was thinking in his very good friend Marilyn Monroe for the girl and got very disappointed when the studios chose someone so languid as Hepburn.

Anonymous said...

astonishing post. that's journalism :)

mahret said...

Hhm. Guess I have to see that movie again soon. Well it's fantastic, even without the prostitute "thing" ;-) Actually I like the fact that it's not THAT obvious, it's simply unspoken...

Teresa said...

Interesting...I never realized Holly Golighty was a hooker, but she was! A hooker in Givenchy, wow.

God I love 10 magazine too, esp. for the Hadley Freeman articles.